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A Dictionary of the Avant-Gardes, by Richard Kostelanetz
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A Dictionary of the Avant-Gardes recognizes that change is a driving force in all the arts. It covers major trends in music, dance, theater, film, visual art, sculpture, and performance art--as well as architecture, science, and culture.
- Sales Rank: #2099832 in Books
- Brand: Kostelanetz, Richard/ Brittain, H. R./ Carlin, Richard (CON)/ Cohen, Mark Daniel (CON)
- Published on: 2001-08-17
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 10.88" h x 1.50" w x 8.42" l, 3.74 pounds
- Binding: Paperback
- 738 pages
From Library Journal
Surprisingly, this is the first subject dictionary that addresses avant-garde artists and styles among the visual and performing arts. Prolific artist and author Kostelanetz ( Conversing with Cage , LJ 10/1/93) first develops a working definition of avant-garde art: it expresses aesthetic innovation, gains initial acceptance from a limited audience, and serves as inspiration to future artists. From this he selects for inclusion such artists and movements as Beckett, Cage, Bunuel, Abstract Expressionism, free jazz, and video art. All 681 entries are well written, and most include brief bibliographies. The work's strengths lie in its interdisciplinary approach, coverage of art produced from about 1850 to the present, and discussion of many minor and contemporary artists. Also, Kostelanetz's critical approach allows for discussion of the truly innovative side of artists like Andy Warhol while ignoring those aspects that fall outside his definition of the avant-garde. Finally, his work is currently priced within the budget of even small institutions and individuals interested in the arts. A worthy addition to the art and culture collection of all libraries.
- Stephen L. Hupp, Capital Univ. Lib., Columbus, Ohio
Copyright 1994 Reed Business Information, Inc.
From Booklist
In the words of the author, a prolific writer and student of avant-garde topics, "this book was written not just to be consulted but to be read from beginning to end." It draws upon his knowledge of literature, art, architecture, performing arts, movements, and esthetics. He is admittedly opinionated in his judgment of artists and their works. The artists included are mainly twentieth century, with no birth date earlier than Edward Lear's (1812). They include such well-known subjects as Muybridge, Bierce, and Stravinsky and such contemporary figures as environmental-artist Christo and performance-artist Laurie Anderson. The entries for Kinetic Art, Serial Music, Mixed-Means Theater, Zaum (poetry), SoHo, and Something Else Press create a rich image of a period.
Entries are alphabetically arranged, with dates and alternative names. The work is highly readable. One entry leads to another quite seamlessly through the use of asterisks placed after the mention of related entries (e.g., Slonimsky, Nicholas leads to Var{Š}ese, Edgard; Ives, Charles; Dada; and Constructivism). There are cross-references to appropriate headings, "Kovacs, Ernie see Television." Most entries include one or more references at the end, and the "Postface" includes a bibliography of 19 works consulted. The initials of nine scholars, authors, and critics appear on the entries they have contributed. Small black-and-white photographs add interest.
This work is shaped by names so familiar that, in some cases, they no longer seem avant-garde: Eisenstein in film, James Joyce in literature, Merce Cunningham in dance, Buckminster Fuller in architecture, Mary Quant in fashion, Allen Ginsberg in poetry. Some entries, such as Futurism (Russian), lead to numerous related entries that may be less familiar.
This small volume, bringing together a wealth of information on esthetic innovation, will make avant-garde art more accessible to everyone and will be a welcome addition to art reference collections.
Review
"Bringing together a wealth of information on esthetic innovation, [A Dictionary of the Avant-Gardes] will make avant-garde art more accessible to everyone."
-"Booklist
"Dictionaries are not usually written for cover-to-cover reading; this one is. It is filled with fascinating people and images."
-Mark Laiosa, WBAI-FM
"Demonstrate[s] a unique subjectivity and distinctive flair without sacrificing quality...."
-"Library Journal
"A one-of-a-kind source. Nothing approaches the subject with such admirable verve."
-"Wilson Library Bulletin
Most helpful customer reviews
4 of 5 people found the following review helpful.
Not as accurate or complete as it could have been.
By Tom Furgas
Sorry to say, this dictionary of the avant-garde has it's gaps, misinterpretations, and inaccuracies. It is quite valuable for the most part, but the aforementioned problems should be addressed before the next edition hits the racks. There is scant mention of free improvisation, Derek Bailey (and his many contemporaries), Paul Klee, Al Hansen (and many other valuable Fluxus artists indivudually) and much else, but there are referances to one-off a-g practitioners (such as that Republican apologist P.J. O'Rourke) and others. Weird...maybe RK was trying to use his dictionary to stir up debate, but that's not what dictionaries are fundamentally for, I think.
1 of 1 people found the following review helpful.
Great book for radical art minds.
By Reverb
Great book for radical art minds. Kostelanetz major figure of the American art thought process. Should be in all art schools.
2 of 9 people found the following review helpful.
AN AMAZING BOOK!
By A Customer
this book helped me to understand the meaning of avant-garde, and help push towards improving my knowledge of cultures which are unknown to many. if you want to spend that much money on a book then go ahead and get it, ASAP!
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